The first section of Recipient Collective, “∰ PSST”, begins with a portrayal of turbulent and flourishing physical and natural occurrences. This depiction is constructed in such a way that it causes a perceptual confusion between real and virtual components used in the artistic digital composition. The mingling of elements from the physical and digital world, along with the synthetic elements, form a conglomerate of swirls, chaotic clouds, and other impossible liquids. The result of this combination is PSST, an audiovisual work that plays with the viewer’s perception by blurring the lines between concrete and synthetic elements used to compose digital art.
blurring the lines between concrete and synthetic
The first section of Recipient Collective, “∰ PSST”, begins with a portrayal of turbulent and flourishing physical and natural occurrences. This depiction is constructed in such a way that it causes a perceptual confusion between real and virtual components used in the artistic digital composition. The mingling of elements from the physical and digital world, along with the synthetic elements, form a conglomerate of swirls, chaotic clouds, and other impossible liquids. The result of this combination is PSST, an audiovisual work that plays with the viewer’s perception by blurring the lines between concrete and synthetic elements used to compose digital art.
Acousmatic interpretation: Giovanni Cospito
Sound engineer: Filippo Berbenni
Art direction: Alessandro Inguglia, Ignazio Lucenti, Martino Coffa
Software programming: Alessandro Inguglia, Ignazio Lucenti
Music composition: Alessandro Inguglia
Live performance: Martino Coffa